帕托赫伯特, 兜圈子说话 (2021). 镜像丙烯酸.

Interdisciplinary Faculty-Driven 展览

“大学艺术博物馆提供分析观察技能,适用于几乎任何文科领域的进步。”

JR. Stromberg, “College Art Museums As 十字路口,”in A Handbook for Academic Museums: Beyond 展览 and Education, eds. 斯蒂芬妮年代. 詹德尔和马克·S. Gold (Boston: Museums Etc., 2012), 6.

Pitzer学院艺术画廊的任务是通过Pitzer学院的核心价值观进行教育和宣传social responsibility, intercultural understanding, interdisciplinary learning, 学生参与, and environmental sustainability. 这些价值观是通过画廊的展览和节目制定的, its partnerships with faculty, 以及与Pitzer学术中心的合作,以支持跨学科的学生参与.

框架

多学科的研究和教学方法可以提供跨越学科界限的机会,并鼓励发展新形式的知识. To expand upon these efforts, 每年,画廊都会努力协助一名或多名教师开展与教学目标相关的展览, co-curricular events, 以及演讲系列. 这些教师驱动的展览可以作为强大的教学工具,通过提供可选择的镜头来检查一个主题. Regardless of the disciplinary focus, 这种基于图像和对象的方法可以提高批判性的观察和解释技能. By encouraging experimentation across disciplines, 这些由教师主导的展览可以展示新的思维方式和知识传递方式. 这些方法可以加强学生的学习,创造有意义的课堂体验.

Proposals for Spring 2024 Faculty-Driven Exhibitions

Each year we make space for one faculty member (or team), 发展一个展览,配合他们的教学或其他课外活动. 这些展览每年在春季学期举行,通常在欣肖画廊举行, 在格罗夫庄园, from mid-February to the end of March.

有关提交跨学科教师驱动展览提案的更多信息, 视图 Faculty-Driven Exhibition Proposal.


Faculty-Driven Exhibition #4

David Goldblatt: The Angel of History

February 28 – March 25, 2023

大卫·戈德布拉特 IX Thesis on the Philosophy of History (2019), sixteen prints, letterpress on paper, 23 1/2 x 15 3/4 in. 每一个. Collection of Pitzer学院, gift of the artist.

David Goldblatt: The Angel of History derives inspiration from Walter Benjamin’s essay Theses on the Philosophy of History (1940). 本次展览展出了历史客座教授David Goldblatt的16幅凸版纸版画作品, which reflects on section IX of Benjamin’s essay. 这16幅版画是2019年在英国布里斯托尔的Letterpress Collective创作的.

For full exhibition information, 视图 David Goldblatt: The Angel of History.


Faculty-Driven Exhibition #3

Remembering Jaider Esbell

策划的 丹尼尔西格尔, 让米. Pitzer Professor of Anthropology and Professor of History

February 14 – March 25, 2023

Jaider Esbell, Woman with a Basket of Fruit (2013), acrylic on canvas, collection of Pitzer学院. 艺术家的礼物.

艺术家兼活动家贾德尔·埃斯贝尔(1979-2021)于2013年在值得信赖的十大棋牌娱乐平台担任驻地艺术家.  埃斯贝尔在亚马逊北部的Macuxi社区出生并长大, in the now legally demarcated territory, Terra Indigena Raposa Serra do Sol.  At the end of his residency at Pitzer, Esbell donated Woman with a Basket of Fruit (pictured above) to the College in appreciation of the faculty, 学生, and staff he had worked with at Pitzer.

值得信赖的十大棋牌娱乐平台艺术家:

An Indigenous Macuxi, Esbell became one of the most prominent Indigenous artists, of any historical era, 在南美洲. 埃斯贝尔于2021年去世, 同时参加了第34届圣保罗双年展,不久之后,他的几件作品被蓬皮杜艺术中心收购, 巴黎. In 2022, 埃斯贝尔的大量作品在第59届威尼斯双年展国际艺术展上展出; 梦想的牛奶, curated by Cecilia Alemani. 

During his residency, he co-curated the exhibition Cattle in the Amazon with 丹尼尔西格尔, the 让米. Pitzer Professor of Anthropology and Professor of History at the College. 埃斯贝尔还与匹泽人类学教授Lêda Martins共同教授了一门值得信赖的十大棋牌娱乐平台马库西神话的课程, and they co-produced, 和他们的学生, a collaborative artwork illustrating key Macuxi myths.
Read Jaider Esbell’s obituary in Artforum: http://bit.ly/3jv8gLn

确认:
Professor 丹尼尔西格尔 extends his gratitude to IGLAS, the Agnes Jackson Fund of the Campus Life Committee, 以及斯图·麦康奈尔纪念基金对本次活动的慷慨资助, as well as Pitzer’s Study Abroad and International Programs Office, Pitzer’s Portuguese language faculty, Juanita Aristizabal and Joana Grande (2022-23 Fulbright Language Fellow), 以及Pitzer学院艺术画廊团队,感谢他们为这次展览和接待所做的辛勤工作.

For full exhibition information, 视图 Remembering Jaider Esbell.

 


Faculty-Driven Exhibition #2

Pato Hebert: 挥之不去的

(with a collaborative work by Sarah Gilbert)

策划的 Associate Professor in Media Studies, Ruti Talmor

January 22 – April 16, 2022

帕托赫伯特, 挥之不去的 (2020), archival pigment print on silk charmeuse.
 

挥之不去的 addresses the COVID-19 condition of long-hauling, in which ongoing COVID symptoms persist well after the initial infection. 该展览追溯了正在进行的恢复过程,作为一个治愈的场所, 创造力, 和质疑, 以及为长期疾病的各种广泛症状寻求治疗的挫败感. 

For full exhibition information 视图 Pato Hebert: 挥之不去的.


Faculty-Driven Exhibition #1: The Work of 皮尔斯受罪, 策划的 Associate Professor Barbara Junisbai

皮尔斯受罪, 主席弗雷德, 2021, acrylic on canvas panel.


This virtual exhibition of paintings by Yusef Pierce ’21, which displays works referenced as both “Black Art” and “Prison Art,是匹泽学院在社会公正问题和跨文化理解方面的学术重点, 并有助于显著提高学院的学习目标和教育使命. The phenomenon of mass incarceration in the U.S. today is a major focus in the movement for social justice. Involvement in so-called “Prison Art” is an often overlooked, 但这是更好地理解现代医学经验的关键手段. “监狱艺术”展览具有独特的能力,可以接触到值得信赖的十大棋牌娱乐平台社区的所有成员, 包括我们这些还没有参与司法教育倡议的人, 传达了一个强有力的信息:加州监狱里的人可以贡献一些有价值的东西. 


非白人和非主流文化获得更大社会意识的欣赏和接受的主要途径之一是通过艺术. 视觉艺术, 更具体地说, 是否有一种方法能吸引人们的注意力并超越文化界限. 通过一个学院学生的作品展的策划, 我们的目标是以直接和个人的方式实现值得信赖的十大棋牌娱乐平台的跨文化理解的核心价值.

馆长的声明
2019年秋天,在我们第一次一起上Inside-Out课的时候,我被介绍给了尤瑟夫·皮尔斯的作品. 那特别的一天, 学生 were working in small groups, peer re视图ing one another’s draft papers describing “my college journey.尤瑟夫的故事揭示了他在监禁期间在教室里的一系列经历. 我记得最清楚的部分是尤瑟夫对他第一堂美术课的描述, 很快班上的每个人都意识到尤瑟夫有天赋. No one could believe he had never studied art or practiced drawing; it all flowed so easily and naturally from him. He himself was surprised by what he was able to produce. To enhance his narrative, Yusef brought in three of his works to share. As the paintings made their way around the room, 那天在场的每一个人都再次想起了我们在一起时学到的最有力的一课:“我们都比别人告诉我们的要强大得多。. We are all much more beautiful.”* What a privilege it is to behold and revel in the experience, 知识, 权力, and beauty that we all bring to our communal spaces—yet, how often do we build in time and trust for these to be appreciated?

*Eduardo Galeano, http://www.theguardian.引用自Bettina L .. 爱, We Want to Do More than Survive (灯塔出版社2019).

– Barbara Junisbai, Professor of Organizational Studies

For full exhibition information 视图 Faculty-Driven Exhibition #1: Yusef Pierce.